captivating...an inspired creation.Louise Penny

The Frozen People

SOME MURDERS CAN’T BE SOLVED IN JUST ONE LIFETIME.

Ali Dawson and her cold case team investigate crimes so old, they’re frozen – or so their inside joke goes. Most people don’t know that they travel back in time to complete their research.

The latest assignment sees Ali venture back farther than they have dared before: to 1850s London in order to clear the name of Cain Templeton, the eccentric great-grandfather of MP Isaac Templeton. Rumour has it that Cain was part of a sinister group called The Collectors; to become a member, you had to kill a woman…

Fearing for her safety in the middle of a freezing Victorian winter, Ali finds herself stuck in time, unable to make her way back to her life, her beloved colleagues, and her son, Finn, who suddenly finds himself in legal trouble in the present day.

Could the two cases be connected?

The Last Remains

When builders renovating a café in King’s Lynn find a human skeleton behind a wall, they call for DCI Harry Nelson and Dr Ruth Galloway, Head of Archaeology at the nearby University of North Norfolk. Ruth is preoccupied with the threatened closure of her department and by her ever-complicated relationship with Nelson. However, she agrees to look at the case.

Ruth sees at once that the bones are modern. They are identified as the remains of Emily Pickering, a young archaeology student who went missing in the 1990s. Emily attended a course run by her Cambridge tutor. Suspicion falls on him and also on another course member – Ruth’s friend Cathbad, who is still frail following his near death from Covid.

As they investigate, Nelson and his team uncover a tangled web of relationships within the student group and the adults leading them. What was the link between the group and the King’s Lynn café where Emily’s bones were found?

Then, just when the team seem to be making progress, Cathbad disappears. Was it guilt that led him to flee?

The trail leads Ruth and Nelson to the Neolithic flint mines in Grimes Graves which are as spooky as their name. The race is on, first to find Cathbad and then to exonerate him, but will Ruth and Nelson uncover the truth in time to save their friend?

A Girl Called Justice

Missing maids, suspicious teachers and a snow storm to die for… For a fearless girl called Justice Jones, super-smart super-sleuth, it’s just the start of a spine-tingling first term at Highbury House Boarding School for the Daughters of Gentlefolk. For fans of Robin Stevens, Katherine Woodfine and Enid Blyton.

When Justice’s mother dies, her father packs her off to Highbury House Boarding School for the Daughters of Gentlefolk. He’s a barrister – specialising in murder trials – and he’s just too busy to look after her alone.

Having previously been home-schooled, the transition is a shock. Can it really be the case that blondes rule the corridors? Are all uniforms such a charming shade of brown? And do schools normally hide dangerous secrets about the murder of a chamber maid?

Justice takes it upon herself to uncover the truth. (Mainly about the murder, but perhaps she can figure out her new nemesis – the angelic Rose – at the same time.) But when a storm cuts the school off from the real world, the body count starts to rise and Justice realises she’ll need help from her new friends if she’s going to find the killer before it’s too late …

The Midnight Hour

When theatrical impresario Bert Billington is found dead in his retirement home, no one suspects foul play. But when the postmortem reveals that he was poisoned, suspicion falls on his wife, eccentric ex-Music Hall star Verity Malone.

Frustrated by the police response to Bert’s death and determined to prove her innocence, Verity calls in private detective duo Emma Holmes and Sam Collins. This is their first real case, but as luck would have it they have a friend on the inside: Max Mephisto is filming a remake of Dracula, starring Seth Billington, Bert’s son. But when they question Max, they feel he isn’t telling them the whole story.

Emma and Sam must vie with the police to untangle the case and bring the killer to justice. They’re sure the answers must lie in Bert’s dark past and in the glamorous, occasionally deadly, days of Music Hall. But the closer they get to the truth, the more danger they find themselves in…

The Locked Room

Ruth is in London clearing out her mother’s belongings when she makes a surprising discovery: a photograph of her Norfolk cottage taken before Ruth lived there. Her mother always hated the cottage, so why does she have a picture of the place? The only clue is written on the back of the photo: Dawn, 1963.

Ruth returns to Norfolk determined to solve the mystery, but then Covid rears its ugly head. Ruth and her daughter are locked down in their cottage, attempting to continue with work and home-schooling. Happily, the house next door is rented by a nice woman called Zoe, who they become friendly with while standing on their doorsteps clapping for carers.

Nelson, meanwhile, is investigating a series of deaths of women that may or may not be suicide. When he links the deaths to an archaeological discovery, he breaks curfew to visit the cottage where he finds Ruth chatting to her neighbour whom he remembers as a carer who was once tried for murdering her employer.

Only then her name wasn’t Zoe. It was dawn.

The Postscript Murders

PS: Thanks for the murders.

The death of a ninety-year-old woman with a heart condition should absolutely not be suspicious. DS Harbinder Kaur certainly sees nothing to concern her in carer Natalka’s account of Peggy Smith’s death.

But when Natalka reveals that Peggy lied about her heart condition and that she had been sure someone was following her…

And that Peggy Smith had been a ‘murder consultant’ who plotted deaths for authors, and knew more about murder than anyone has any right to…

And when clearing out Peggy’s flat ends in Natalka being held at gunpoint by a masked figure…

Well then DS Harbinder Kaur thinks that maybe there is no such thing as an unsuspicious death after all.

From the sleepy seaside town of Shoreham, to the granite streets of Aberdeen and the shores of Lake Baikal, The Postscript Murders is a literary mystery for fans of Antony Horowitz, Agatha Christie and anyone who’s ever wondered just how authors think up such realistic crimes…

PS: Trust no one.

Read an extract of The Postscript Murders

Now You See Them

Three girls have left. None have come back.

Brighton, 1963. Edgar Stephens has been promoted to Superintendent and is married to his former sergeant, Emma Holmes. Edgar’s wartime partner in arms, magician Max Mephisto, is a movie star in Hollywood, while his daughter Ruby has her own TV show.

The funeral of an old friend highlights just how much the gang’s lives have changed in the last nine years. Edgar is struggling with fresh responsibilities and the new swinging Brighton of rioting mods and rockers; Emma is chafing against the restrictions of life as a housewife.

Bob Willis, meanwhile, is tackling his biggest case since his promotion to DI: a schoolgirl missing from high-class boarding school Roedean. It looks like she’s run away; but there are disturbing similarities to the disappearances of a young local nurse and a tearaway Modette, neither of whom have been seen or heard from since…

A new world is dawning in Brighton, but the city’s dark side is as dangerous as ever.

‘A piquant mixture of humour, period detail . . . and truly beguiling characterisation’ Financial Times

The Vanishing Box

The fourth Stephens and Mephisto mystery from the author of the bestselling Dr Ruth Galloway series – a must-read for fans of Bryant and May. ‘Mixes cosiness and sharpness in a way that recalls the best of Agatha Christie’ Sunday Express (on Smoke and Mirrors)

What do a murdered Brighton flower seller, the death of Cleopatra and a nude tableau show have in common? Read the most dangerous case yet for Stephens and Mephisto to find out.

Christmas 1953. Max Mephisto and his daughter Ruby are headlining Brighton Hippodrome, an achievement only slightly marred by the less-than-savoury support act: a tableau show of naked ‘living statues’. This might appear to have nothing in common with DI Edgar Stephens’ current case of the death of a quiet flowerseller, but if there’s one thing the old comrades have learned it’s that, in Brighton, the line between art and life – and death – is all too easily blurred…

The Stranger Diaries

A TIMES CRIME BOOK OF THE YEAR. THE RICHARD & JUDY BOOK CLUB PICK.

‘Utterly bewitching … a pitch-perfect modern Gothic’ AJ FINN, author of THE WOMAN IN THE WINDOW

A dark story has been brought to terrifying life. Can the ending be rewritten in time?

This is what the police know: English teacher Clare Cassidy’s friend Ella has just been murdered. Clare and Ella had recently fallen out. Found beside the body was a line from The Stranger, a story by the Gothic writer Clare teaches, and the murder scene is identical to one of the deaths in the story.

This is what Clare knows: No one else was aware of her fight with Ella. Few others have even read The Stranger. Someone has wormed their way into her life and her work. They know her darkest secrets. And they don’t mean well.

This is what the killer knows: Who will be next to die.

‘Compelling, intelligent and increasingly mesmerising’ PETER JAMES

‘Picks up where the great Gothic thrillers of the past leave off … goose-bump spooky, smart, and haunting. I loved this book! And you will too’ LOUISE PENNY

The Zig Zag Girl

Magic, murder and a mystery rooted in a murky wartime past. Meet DI Stephens and Max Mephisto

Brighton, 1950. When the body of a girl is found, cut into three, Detective Inspector Edgar Stephens is reminded of a magic trick, the Zig Zag Girl. The inventor of the trick, Max Mephisto, is an old friend of Edgar’s. They served together in the war as part of a shadowy unit called the Magic Men. Max is still on the circuit, touring seaside towns in the company of ventriloquists, sword-swallowers and dancing girls. Changing times mean that variety is not what it once was, yet Max is reluctant to leave this world to help Edgar investigate. But when the dead girl turns out to be known to him, Max changes his mind. Another death, another magic trick: Edgar and Max become convinced that the answer to the murders lies in their army days. When Edgar receives a letter warning of another ‘trick’, the Wolf Trap, he knows that they are all in the killer’s sights…