highly atmosphericNew York Times

Globe and Mail (Canada)

“Ruth Galloway is solitary, plum and smart and self-assured, and very, very likeable.”

The Times on The Janus Stone

“…bone-chilling stuff.”

The Financial Times on The House at Sea’s End

“A melancholy setting, an eerie discovery, a lone investigator…perfect for the long winter evenings.”

The Sunday Times on The House at Sea’s End

“Griffiths is brilliant on the eerie landscape of the Norfolk coast.”

The Daily Telegraph on Dying Fall

“A memorable, breathless race against time…One of the most cinematic finales in recent British crime novels.”

The Sunday Express on Smoke and Mirrors

“Mixes cosiness and sharpness in a way that recalls the best of Agatha Christie and has a feeling for showfolk worthy of Ngaio Marsh.”

Louise Penny

“…rich in plot, character and setting, heralds an exciting new voice on the crime scene.”

Kate Mosse

“Have just discovered Elly Griffith’s Ruth Galloway series which I love.”

The Sunday Times on Smoke and Mirrors

“The lively beginning broadens out into an excellent whodunit, matched by the terrific down-at-heel atmosphere of postwar Brighton.”

The Daily Mail on The Outcast Dead

“Told with a deepening sense of unease, seasoned with a touch of the occult, it is no surprise that BBC television are developing it as a series.”